I was brought onto this project after scoring Aaron's short film, "Buttercup", a few months prior. In addition to scoring the film, I also worked on set as a crew member when the film was shot in August 2019.

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Since this is a film with less dialogue and more emphasis on visual storytelling, the score was much more critical this time around. While working on this piece, I tried to push my existing skills with more of an emphasis on a more synchronization-dependent score and experimentation with more live instrumentation. Most notably, I constructed a personal sound studio in order to record live strings; additionally, since I was the only available violinist, I employed extensive overdubbing and ultimately created a 24-member string section with only one instrumentalist.